Rat Bastard's
TLASILA Chronicle
Self promotion is obsolete
In 1991, Tom Smith befriended South Beach local Frank "Rat Bastard" Falestra.
Falestra offered to help record and mix the Peach of Immortality studio
recording "Spatters of a Royal Sperm" in Nov-Dec 1991. Next Peach of Immortality
"30-minuten männercreme" was assembled from January 1992 to November 1993. While
recording the two quickly set about crafting a new sound based on a mélange of
the former love of musique concrète, dub, '70s glam, free-improvised music, and
the works of a variety of transgressive authors and filmmakers. Contributions of
a handful of guest musicians (including L’Trimm’s Tigra DeRougemont, Tracie
Phillips, Oscar Perez, King Felix and Harry
Pussy’s Bill Orcutt and Adris Hoyos). In 1993 Smith asked Falestra if he
was interested in starting a new group by first dropping the Peach of
Immortality name on "30-minuten männercreme" recording and releasing it under
the name "To Live and Shave in L.A". The name was inspired by a Ron Jeremy porno
parody of the film To Live and Die in L.A. They will also use the TLASILA
name for the next recording and live performances, Falestra foolishly agreed
with one stipulation that the next LP will have to have a new approach to
recording.
In late 1993 both started performing live at Churchill's and recording the next
LP "Helen Butte" vs. Masonna Pussy Badsmell a release where Falestra
should have been credited for recording and mixing this work. 1994 saw the
release of their first compact disc, 1994's 30-minuten männercreme, and the
addition of Oscillator player Benjamin Wolcott. This line-up recorded
everything from "Helen Butte" vs. Masonna Pussy Badsmell to "The Cortége".
Falestra let Smith spend the down time hours in his studio so Smith could mix
the 3rd LP "Vedder Vedder Bedwetter" which became Smith's least favorite Shave
album. Falestra, of course, held the opposite point of view. This was the
first time TLASILA were able to recycle their own live performance recordings
plus it included Don Fleming's recording at Waterworks in NYC and radio and live
performances accompanied by Weasel Walter and Nandor Nevai from the 1996 tour. A flood of
recordings followed, many of which would not be issued until years later.
TLASILA were acclaimed as the most literary group to arrive on the avant-garde
rock scene, they made no effort to dilute their lyrics or soften their approach.
Falestra was an experienced audio engineer and guitarist-bassist with both manic technique
and a penchant for throwing his instrument into the crowd. Smith wrote the
lyrics, developed the sonic collages which served as the band's backdrops, and
matched Falestra's stage aggression lurch for sybaritic lurch. They were
initially associated with Miami's burgeoning noise-rock scene of the early
1990s, but neither To Live and Shave in L.A. nor their contemporaries could be
so easily labeled.
After two U.S. tours in which transportation was supplied by Wolcott and Falestra, and
the Tora Tora Tora! festival in Atlanta, Wolcott departed the group in 1996 due to personal conflicts
with Smith. Wolcott went on and joined another Miami group,
Frosty. TLASILA as a live entity weathered numerous changes. Following a pair of
European tours featuring Smith, Falestra, Nandor Nevai, Billy Taylor, Greg
Chapman, Julien Betcourt and Andy Bolus. To Live and Shave in L.A. returned to
America with their "PRE (R)ocktober 1999" tour, featuring a newly expanded
roster that included Weasel Walter, Nandor Nevai, vocalist Liz "Misty Martinez"
Armstrong. In 2000 Falestra introduced Smith to Gerard Klauder the proprietor
and operator of The Smack Shire Label in which A&R creative consultants included
Nondor Nevai & Smith.
The quintet split up following the NYC Beer & Sausage festival appearance in
2000. Walter, Nevai and Armstong split from TLASILA due to personal and
financial conflicts with Smith. Walter, Nevai and Armstong set up small
tour as To Live and Shave in L.A. 2 and invited Falestra to go along.
Falestra went ahead and joined To Live and Shave in L.A. 2 only because it would
look as if they had thrown Smith out of the band. Angered with Falestra's
decision to tour with TLASILA 2 and other clone bands, Smith tried to call a halt to the project in
2000 but the whole thing became a joke followed by a slew of clone releases and
performances. Afterwards, Smith formed the ensemble OHNE with Swiss performance art
provocateur Dave Phillips, German noise-core musician Daniel Lowenbrucke and
Swiss laptop specialist Reto Mader in 2002.
In 2002 after 5 years of Smith mixing and editing TLASILA's two-disc set, The
Wigmaker in Eighteenth Century Williamsburg, it was released. Wigmaker
received wide acclaim, landing at the top of many critics' best-of lists, and
setting in motion a reconciliation between the group's founders.
Falestra and Smith decided to revive To Live and Shave in L.A. during the
mastering session for "God and Country Rally" in Miami Beach on December 30,
2003. Falestra suggested that TLASILA should perform at Carlos Giffoni's
No Fun Festival (which took place in Williamsburg, Brooklyn, in March 2004).
After No Fun TLASILA assembled what many observers claim to be the best line-up in the group's
history. Respected guitarist/producer Don Fleming (friend of Smith's since the
mid-1970s in Adel GA) and Mark Morgan of New York's Sightings.
Multi-instrumentalist Andrew W.K. joined the band in April 2004, and Ben
Wolcott signed back on in late July 2004. Chris Grier was brought in by Don in
August 2004. An archival disc (God and Country Rally!) and tour followed
in September 2004. Their next studio album, the W.K.-Fleming-Smith produced Noon
and Eternity (recorded at Sonic Youth's Echo Canyon facility in New York, and
featuring performances by Thurston Moore).
TLASILA debuted the Noon and Eternity material in the nation's capitol in
January 2005 at The Black Cat, at the Moore-Grier curated Noise Against Fascism
festival, which featured like-minded artists such as Paul Flaherty & Chris
Corsano, Kim Gordon, Nate Young and Twig Harper, among others.
In Aug-Sep 2006 a tour of Canada and a pair of shows New York City in support of
their "chronological remix" compilation Horoscopo: Sanatorio de Moliere. Graham
Moore was invited to lend his talents in August 2006.
Weasel Walter
performed with TLASILA again during the collective's April-May 2007 tour of the
States in support of their Les Tricoteuses collection. Liz Armstrong rejoined
the group on that excursion as well. Andrew Barranca joined in May 2007.
Liz
Armstrong and Nandor Nevai recorded and performed with TLASILA in August 2007
during the sessions for "The Cortége" album. Also former Peach of
Immortality Mark Shellhaas, Kelly Jamison and Scraping Teeth drummer Dimthingshine
also were included in the sessions. Graham Moore-Fleming-Falestra produced
"The Cortége" (recorded at Sonic Youth's Think Tank facility in New Jersey) was
mixed by Graham Moore and Falestra in Miami Beach in December 2007 and by Don
Fleming in November 2008.
(excerpts of this chronicle were
taken from past TLASILA interviews by Smith in Wire and Blastitude)
To Live and Shave in LA started as
a new band. All other previous live performances
and recordings were all presented under the names Tom Smith or Peach of
Immortality (note the year on cassette cover photo on top of page). Tom
used the same name from a demo project from 1990 and it was a title he always wanted to use for a music project. We started
recording at my studio in 1991 and the band was established in fall 1993 at
Churchill's Pub.
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